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记者：爵士为摆烂雪藏凯斯勒还提前通知过我_我的网站

极速之巅

一 | Rajinikanth’s Padayappa has pulled off a box office feat few could have predicted. The 1999 blockbuster, which returned to theatres as part of its 25 year anniversary celebrations, has crossed Rs 12 crore worldwide in its opening weekend, emerging as one of the highest grossing re-releases in Indian cinema.According to trade tracker Sacnilk, the film opened to an estimated Rs 4 crore worldwide on its first day. Instead of following the usual re-release pattern of sharp drops after day one, Padayappa showed steady growth across Saturday and Sunday, pushing its total weekend gross into double digits. Tamil Nadu led the charge, supported by strong collections from overseas markets with sizeable Tamil audiences.The numbers place Padayappa among the most successful re-releases in recent years, an achievement that underlines both Rajinikanth’s enduring star power and the film’s lasting connect with audiences.Nostalgia fuels a rare re-release runTrade analysts attribute the strong performance to a combination of nostalgia and theatrical appeal. Padayappa has long enjoyed repeated television telecasts and streaming viewership, yet the big screen experience appears to have drawn audiences in large numbers. Many theatres reported near full occupancy during evening and weekend shows, driven by fans revisiting a film that defined an era. The film’s sustained run is particularly noteworthy because re-releases typically depend heavily on opening day curiosity. In this case, repeat footfalls and strong word of mouth helped Padayappa buck the trend. Younger viewers, who knew the film largely through pop culture references and social media clips, also turned up in significant numbers, contributing to the growing collections over the weekend.Originally released in 1999, Padayappa went on to become the highest grossing Tamil film of its time. Its re-release success reinforces its standing as one of Tamil cinema’s most influential commercial films.The legacy of Padayappa and NeelambariDirected by KS Ravikumar and produced by Rajinikanth under his Arunachala Cine Creations banner, Padayappa featured an ensemble cast that included Sivaji Ganesan, Soundarya, Ramya Krishnan, Radha Ravi, Nassar, Manivannan and Abbas. The film blended family drama with spectacle, anchored by Rajinikanth’s commanding performance.Ramya Krishnan’s portrayal of Neelambari remains a cultural milestone. The character’s pride, rage and emotional volatility continue to resonate, often cited among the most iconic antagonists in Indian cinema. Adding to the renewed interest around the film, Rajinikanth recently revealed that he has discussed the possibility of a sequel told from Neelambari’s perspective, exploring her belief that she was wronged and her desire for revenge. AR Rahman’s soundtrack also remains a key element of the film’s appeal, with its songs continuing to receive thunderous responses during the re-release screenings.As Padayappa continues its victorious return, its box office performance stands as proof that some films do more than age gracefully. They reclaim the spotlight when given another chance on the big screen.Also Read: Padayappa Returns: Why Rajinikanth’s Titan of a Film Still Roars。

    　　近日湖人媒体人Jovan Buha和前爵士跟队记者现76人记者Tony Jones录制了《Jovan Buha》播客，在最新更新的一期里，他们谈到湖人和凯斯勒的相关话题。

    　　Buha：我回头查看了凯斯勒的伤病和出勤情况，我注意到在爵士的前三个赛季，每次到了赛季末，爵士摆烂已经不是什么秘密了。在这些赛季中，他通常会缺席最后四到七场比赛，而在此之前他其实是完全健康的。所以我把这些比赛算进他的赛季出场数进行平均，算下来大概每个赛季能打71场。在当今球员频繁缺阵的情况下，这对我来说简直就是现代铁人。

二 | 湖人上赛季只有两名球员出战超过71场。

三 |

　　关于他的伤病和出勤率，我们在拉斯维加斯和他交流时他也暗示了这一点。你对这些年来他的出勤率和伤病有多担心？因为我认为这是人们对他的另一个诟病。如果你深入观察，会发现他其实比人们想象的要健康得多。除了最近这次让他只打了5场比赛的肩部手术之外，他总体上是相对健康的。

四 |

　　爵士记者：他的肩部伤势是真实的，确实需要进行清理和治疗。

五 | 我给你讲个关于凯斯勒新秀赛季的趣事。

六 | 我接到爵士队的一个电话，他们说，“出于对你平时报道我们的尊重，我们想提前告诉你球队准备锻炼年轻球员了。”

　　他们说要让年轻人上场，我们会好好考察凯斯勒，也会好好考察马尔卡宁和其他一些球员。看看我们手里的牌，再决定未来的方向。这背后的潜台词显而易见，因为文班亚马就在那一年参选，我们需要输掉一些比赛，因为那一年他们赢了太多比赛。我们回答说没问题。